College of Liberal Arts and Sciences Advising Major Change

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've ever taken an fine art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Equally with other subjects, nearly of what we learn about art history today still centers on white men from Europe and, subsequently, the United States. In reality, there are and so many more artists of all genders to learn from and capeesh.

Here, we're specifically taking a look at simply some of the women who have had lasting impacts on their art forms. From some of the art world'southward most iconic pioneers to its well-nigh unsung heroes, these women artists all had a hand — and, in some cases, nevertheless have a hand — in changing the world of fine art and how nosotros define information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while away, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman'south Untitled Pic Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Motion-picture show Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and commonage identities.

Yoko Ono

A still from the functioning Cut Piece, 1964, and a flick of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Mod Fine art (MoMA)

You lot might first remember of Yoko Ono as a musician and activist, just she'due south as well an accomplished functioning and conceptual artist. Ono was considered a pioneer in the operation fine art motion, earning the nickname the "High Priestess of the Happening".

One of her near revered works, Cut Piece, was a performance she first staged in Japan; Ono saturday on stage in a squeamish suit and placed scissors in forepart of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her vesture. "Fine art is similar animate for me," Ono has said. "If I don't practise it, I beginning to choke."

Betye Saar

Betye Saar's Black Girl'due south Window, 1969 (full and item). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her unabridged career trajectory — and, in plow, part of the trajectory of art history.

Saar was part of the Blackness Arts Motion in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to expect at a piece of work of fine art, then you might be able to give them some sort of bulletin."

Frida Kahlo

People wait at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'due south rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as i of the almost influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'southward also known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Onetime Kickoff Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more mutual in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the first Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you probable acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to gain the respect of the New York art globe, all past painting in her unique mode.

Adrian Piper

Adrian Piper wins the Gilded Lion for best artist in Okwui Enwezor's biennial exhibition All the World'south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to face truths almost themselves. She often challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Black homo with a simulated mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat'southward poses in front end of a photo in her exhibition Our Firm Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, movie, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works ofttimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advert billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action every bit meditations on various concepts, such as trauma, noesis, and promise. One of her more than notable works, I Odor You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (AGO)

Much of Rebecca Belmore's fine art addresses identity and history — and, in item, houselessness and the voicelessness of the Start Nations People in Canada. As an Anishinaabekwe artist, she works to enhance sensation effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is improve known for her installation fine art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Honey, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures inside the early Feminist Fine art motility. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California Land University in Fresno, Chicago founded the kickoff feminist art program in the United States.

Augusta Cruel

Augusta Savage with i of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Fell was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years after, she became the outset Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative operation art practices, Carolee Schneemann is considered the progenitor of "trunk fine art". (Merely look up her well-nigh famous work, Interior Roll, and you'll come across what nosotros mean.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal social club.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'due south piece of work challenges traditional power relations. In improver to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of large-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Even so, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Honour at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes instruction is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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